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Understanding Music (3RD)
Publisher :
Pearson College Div
Published Date : 2001/06
Binding : Paperback
ISBN : 9780130405906
BookWeb Price : A$ 104.21 Kinokuniya Card Member Price : A$ 93.79 Availability Status : Out of stock. The item is subject to availability at publisher.We will e-mail you with an estimated delivery date as soon as we have more information.Your account will only be charged when the item is dispatched. Language : English |
Book Description
Source: ENG
Academic Descriptors: A08120000 A08200000
Subject Development: Study and Teaching
Textual Format: Textbooks,Lower Level
Academic Level: Undergraduate
Review:
Varsitybooks-(Aux Season 01, Aux Year 2004) August/September 2003
Varsitybooks-(Aux Season 01, Aux Year 2005) August/September 2004
Varsitybooks-(Aux Season 01, Aux Year 2006) August/September 2005
Varsitybooks-(Aux Season 01, Aux Year 2007) August/September 2006
Varsitybooks-(Aux Season 03, Aux Year 2005) December 2004/January 2005
Academic Descriptors: A08120000 A08200000
Subject Development: Study and Teaching
Textual Format: Textbooks,Lower Level
Academic Level: Undergraduate
Review:
Varsitybooks-(Aux Season 01, Aux Year 2004) August/September 2003
Varsitybooks-(Aux Season 01, Aux Year 2005) August/September 2004
Varsitybooks-(Aux Season 01, Aux Year 2006) August/September 2005
Varsitybooks-(Aux Season 01, Aux Year 2007) August/September 2006
Varsitybooks-(Aux Season 03, Aux Year 2005) December 2004/January 2005
Table of Contents
Preface xix
Foreword xxvii
Music Around the World 1 (22)
Introduction to the Study of Music 2 (2)
Music as a Reflection of Society 4 (10)
The United States: A Test Case 5 (2)
World Music: View from a Satellite 7 (1)
What to Listen for in Music Around the 8 (1)
World
Attitude Toward Music of the Past 9 (1)
Texture 9 (1)
Melody 9 (1)
Rhythm 10 (1)
Tone Color: Voices and Instruments 10 (2)
Musical Context 12 (1)
Attitudes Toward the Participation of 13 (1)
Women
Time 13 (1)
Listening to Music from Around the World 14 (1)
Japanese Shakuhachi Music 14 (2)
Listening Sketch for Shakuhachi Music: 16 (2)
Koku-Reibo (A Bell Ringing in the Empty Sky)
Gamelan Music from the Indonesian Island 17 (1)
of Java
Listening Sketch for Javanese Gamelan 18 (3)
Music: Gangsaran - Bima Kurda - Gangsaran
African Drumming and Mbira Music 19 (2)
Listening Sketch for Mbira Music: 21 (2)
Mandarendare (A Place Full of Energy)
Conclusion 22 (1)
Fundamentals 23 (37)
The Elements of Music 24 (18)
Sound and Texture 24 (2)
Pitch 26 (1)
Notation 26 (3)
Intervals 29 (1)
Consonance and Dissonance 29 (1)
Melody 30 (2)
Harmony 32 (1)
Key and Tonality 33 (1)
Scales 34 (2)
Key Signatures 36 (1)
Chords 37 (1)
Cadences 37 (1)
Rhythm 38 (1)
Beat 38 (1)
Measure & Meter 39 (2)
Tempo 41 (1)
Dynamics 41 (1)
Musical Form 42 (1)
Making Music: Voices 43 (1)
Making Music: Instruments 44 (1)
The Orchestra 45 (10)
Strings 45 (3)
Woodwinds 48 (2)
Brass 50 (1)
Percussion 51 (1)
Keyboard Instruments 52 (3)
Rehearsals 55 (1)
Emotion in Music 56 (1)
Performances 57 (1)
Historical Periods and Individual Style 58 (2)
The Art of Listening 60 (15)
Sound, Rhythm, and Texture 61 (1)
Paul Dukas, Fanfare from La Peri 62 (1)
Music and Words, Key, Dissonance 63 (1)
Franz Schubert, Song for voice and piano, 63 (3)
Gretchen am Spinnrade (Gretchen at the
Spinning Wheel)
Form, Dynamics, Tempo, Meter, Cadences, 66 (1)
and Key
Wolfgang Amadeus Mozart, Minuet and Trio 66 (4)
from Symphony No. 18 in F Major, K. 130
Beats, Meter, Form and Tone Color 69 (1)
Benny Harris, Crazeology 70 (2)
Texture, Chromaticism, and Word-Painting 72 (1)
Maddalena Casulana, Madrigal, Morte, te 72 (2)
chiamo (Death, I Call on You)
Alastair Reid, ``A Lesson in Music'' 74 (1)
The Middle Ages: 400--1400 75 (18)
Box: Medieval Technology 76 (1)
General Characteristics of Medieval Music 77 (1)
The Music of the Middle Ages 77 (2)
Part One: Plainchant 77 (2)
Kyrie (Plainchant) 79 (2)
Part Two: Secular Song and Polyphony 81 (1)
Secular Song 81 (1)
Polyphony 81 (1)
Box: Performance of Medieval Music 81 (1)
Beatriz de Dia, Song, A chantar 82 (4)
Perotinus, Viderunt Omnes 86 (2)
Late Medieval Polyphonic Song 87 (1)
Guillaume de Machaut, Secular song 88 (2)
(rondeau), Doulz Viaire Gracieus
The End of the Middle Ages 89 (1)
Special Box Feature: Composers, Patrons, 90 (2)
and Audiences: The Medieval Audience
The Middle Ages 92 (1)
The Renaissance: 1400--1600 93 (21)
Life and Times in the Renaissance 94 (2)
General Characteristics of Renaissance Music 96 (1)
Music in the Early Renaissance 97 (1)
The Renaissance Mass 97 (1)
The Mid-Renaissance 97 (1)
Josquin Desprez (c. 1440-1521) 98 (1)
Josquin's Pange Lingua Mass 98 (1)
Thomas Aquinas, Plainchant hymn, Pange 99 (1)
Lingua
Josquin Desprez, Kyrie from the Pange 100 (1)
Lingua Mass
The Late Renaissance 101 (1)
Special Box Feature: Composers, Patrons, 102 (3)
and Audiences: Patronage
The Counter-Reformation and the Music of 103 (1)
Palestrina
The Renaissance Motet 104 (1)
The Renaissance Secular Song 104 (1)
Giovanni Pierluigi da Palestrina, Motet, 105 (2)
Exsultate Deo
The Madrigal 106 (1)
Box: Musical Borrowing 107 (1)
The Rise of Instrumental Music 108 (1)
Box: The Importance of Dancing 108 (1)
Thomas Morley, Two English Madrigals 109 (1)
Giovanni Gabrieli, Canzona Duodecimi Toni 110 (1)
Tielman Susato, Ronde and Saltarelle 111 (1)
The Renaissance 112 (2)
The Baroque Era: 1600--1750 114 (42)
Life in the Baroque Era 115 (2)
Special Box Feature: Composers, Patrons, 117 (1)
and Audiences: Audiences in the Baroque Era
General Characteristics of Baroque Music 118 (1)
The Early Baroque (1600--1700) 119 (2)
Monteverdi and the First Great Opera 120 (1)
The Story of the Opera 120 (1)
Opera in the Seventeenth Century 121 (1)
Box: An Argument over the Future of Music 121 (1)
Claudio Monteverdi, Excerpts from the Opera 122 (4)
Orfeo
Henry Purcell and English Opera 125 (1)
Sonata and Concerto 125 (1)
Henry Purcell, Dido's Lament from the Opera 126 (3)
Dido and Aeneas
French Music 128 (1)
Arcangelo Corelli, Trio Sonata, Op. 3, No. 129 (2)
7, for two violins and basso continuo
The Late Baroque (1700--1750) 131 (4)
Late Baroque Opera 131 (1)
The Late Baroque Concerto 132 (1)
Antonio Vivaldi (1678--1741) 132 (2)
Johann Sebastian Bach (1685--1750) 134 (1)
Antonio Vivaldi, First Movement from Violin 135 (3)
Concerto, Op. 8, No. 1, La Primavera
(``Spring''), from The Four Seasons
Box: Musical Imitations 138 (1)
Box: A Musical Offering 139 (1)
Bach's Music 139 (1)
Bach's Organ Music 139 (1)
Johann Sebastian Bach, Prelude and Fugue in 140 (2)
E minor
Bach's Keyboard, Instrumental, and 141 (1)
Orchestral Music
Bach's Vocal Church Music 141 (1)
Johann Sebastian Bach, First Movement from 142 (3)
Brandenburg Concerto No. 2 in F Major
George Frideric Handel (1685--1759) 144 (1)
Johann Sebastian Bach, St. Mathew Passion 145 (4)
(Excerpt)
Handel's Music 148 (1)
George Frideric Handel, Giulio Cesare, Act 149 (1)
III, Scene 4
Box: Castratos 150 (2)
George Frideric Handel, ``Halleluyah'' 152 (2)
Chorus from Messiah
The Baroque Era 154 (2)
The Classic Era: 1750--1800 156 (38)
From Absolutism to Enlightenment to 157 (4)
Revolution
The Musical Public 160 (1)
General Characteristics of Classic Music 161 (2)
Genres of Classic Music 162 (1)
Opera 162 (1)
Giovanni Pergolesi, Opera, La Serva Padrona 163 (10)
(Duet from Act I)
Symphony 168 (1)
Chamber Music 168 (2)
Convention in Classic Music 170 (1)
Forms of Classic Music 170 (1)
Sonata Form 170 (1)
Aria Form 171 (1)
Minuet-and-Trio Form 171 (1)
Rondo Form 172 (1)
Summary 172 (1)
The Early Classic Period 173 (1)
The Classic Masters 173 (1)
Franz Joseph Haydn (1732--1809) 173 (1)
Box: Haydn's Contract 174 (2)
Haydn's Music 176 (1)
Franz Joseph Haydn, Minuet and Trio from 176 (2)
Symphony No. 45 in F-sharp minor
Franz Joseph Haydn, Fourth Movement from 178 (2)
String Quartet, Op. 33, No. 2, in E-flat
Major
Wolfgang Amadeus Mozart (1756--1791) 180 (1)
Box: Leopold Mozart 180 (1)
Box: The Boy Genius 181 (2)
Special Box Feature: Composers, Patrons, 183 (2)
and Audiences: Composers and Patrons in the
Classic Era
Mozart's Music 184 (1)
Box: Musical Forgeries 185 (1)
Wolfgang Amadeus Mozart, Second Movement 186 (3)
from Piano Concerto No. 21 In C Major, K.
467
Wolfgang Amadeus Mozart, First Movement 189 (3)
from Symphony No. 40 in G minor, K. 550
The Classic Era 192 (2)
Beethoven 194 (30)
Beethoven's Life 195 (2)
Beethoven's Early Life 196 (1)
The Heroic Phase 197 (1)
Box: Beethoven's Personality 197 (2)
Personal Crisis and Halt to Productivity 198 (1)
Late Years 198 (1)
Beethoven's Music 199 (1)
Box: Beethoven's Work Habits 199 (1)
Box: Music Critics 200 (1)
Listening Examples 201 (1)
Ludwing van Beethoven, Six Easy Variations 201 (2)
on a Swiss Tune in F Major for Piano, WoO 64
Beethoven's Fifth Symphony 203 (1)
Ludwig van Beethoven, Symphony No. 5 in C 203 (14)
minor
Beethoven's Late Music 217 (1)
Box: Beethoven's Piano-Playing 217 (1)
Ludwig van Beethoven, Third Movement from 218 (4)
Piano Sonata in E Major, Op. 109
Beethoven 222 (2)
The Nineteenth Century 224 (100)
The Age of Romanticism 225 (10)
The Industrial Revolution 226 (1)
Political, Intellectual, and Social 226 (3)
Changes
The New Artistic Spirit 229 (3)
Music for All 232 (1)
The New Sound 233 (1)
Dynamics 234 (1)
Tempo and Expression 234 (1)
Box: The History of the Pianoforte, 235 (6)
1700--1860
Melody 236 (1)
Harmony 236 (2)
Form 238 (1)
Program Music 238 (1)
Massive and Miniature 238 (1)
Favorite Romantic Genres 239 (1)
Favourite Romantic Instruments 239 (1)
The Individual and the Crowd 240 (1)
Women in Nineteenth-Century Music 240 (1)
Romantic Song 240 (1)
PART ONE: EARLY ROMANTICISM 241 (2)
Franz Schubert (1797-1828) 241 (1)
Schubert's Music 242 (1)
Franz Schubert, Song, Die Forelle (The 243 (2)
Trout)
Franz Schubert, Fourth Movement from 245 (4)
Quintet in A Major, D. 667 (The Trout)
Hector Berlioz (1803-1869) 247 (1)
Berlioz's Music 248 (1)
Hector Berlioz, First Movement from 249 (7)
Symphonie fantastique (Fantastical Symphony)
Felix Mendelssohn (1809-1847) 254 (1)
Mendelssohn's Music 255 (1)
Felix Mendelssohn, First Movement from 256 (3)
Concerto in E Minor for Violin and
Orchestra, Op. 64
Fanny Mendelssohn Hensel (1805-1847) 258 (1)
Fanny Mendelssohn Hensel, Lied from Songs 259 (1)
without Words, Op. 8, No. 3
Special Box Feature: Composers, Patrons, 260 (2)
and Audiences
Fryderyk Chopin (1810-1849) 261 (1)
Chopin's Music 261 (1)
Fryderyk Chopin, Prelude in E minor, Op. 262 (2)
28, for Piano
Fryderyk Chopin, Waltz in D-flat Major, Op. 264 (3)
64, No. 1, for Piano Solo (Minute Waltz)
Robert Schumann (1810-1856) 265 (2)
Schumann's Music 267 (1)
Robert Schumann, Traumerei (Dreaming), from 267 (2)
Kinderszenen, Op. 15, for Piano
Clara Schumann (1819-1896) 268 (1)
Box: Clara Schumann 269 (1)
Clara Schumann, Third Movement from Trio in 270 (2)
G minor for Piano, Violin, and Cello
PART TWO: MID-ROMANTICISM 272 (4)
Works for Solo Piano 272 (1)
Symphonic Program Music 272 (1)
Opera 272 (1)
Nationalism 273 (1)
Franz Liszt (1811-1886) 273 (2)
Liszt's Music 275 (1)
Box: Critical Views of Liszt 276 (1)
Franz Liszt, Transcendental Etude No. 10 in 277 (2)
F minor
Franz Liszt, Symphonic Poem, Hamlet 279 (5)
Verdi and Wagner 282 (1)
Giuseppe Verdi (1813-1901) 282 (1)
Verdi's Music 283 (1)
Giuseppe Verdi, Otello (Excerpt) 284 (5)
Richard Wagner (1813-1883) 288 (1)
Box: The Ring Cycle 289 (1)
Box: The Bayreuth Festival 290 (2)
Wagner's Music 291 (1)
Richard Wagner, Prelude and Liebestod from 292 (6)
the Music Drama Tristan and Isolde
The Nationalist Composers 297 (1)
Russia 297 (1)
Bohemia 297 (1)
Moravia 297 (1)
Scandinavia 297 (1)
Bedrich Smetana, Symphonic Poem, The Moldau 298 (3)
Spain 300 (1)
France 300 (1)
Pyotr Ilyich Tchaikovsky (1840-1893) 300 (1)
Tchaikovsky's Music 301 (1)
Box: Copyright 301 (1)
Pyotr Ilyich Tchaikovsky, First Movement 302 (3)
from Symphony No. 4 in F minor
PART THREE: LATE ROMANTICISM 305 (3)
Johannes Brahms (1833--1897) 305 (1)
Brahms's Music 306 (2)
Johannes Brahms, Wiegenlied (Lullaby), Op. 308 (1)
49, No. 4
Johannes Brahms, Fourth Movement from 309 (6)
Symphony No. 4 in E minor
Giacomo Puccini (1858-1924) 314 (1)
Puccini's Music 314 (1)
Giacomo Puccini, Un bel di (One Fine Day) 315 (2)
from Madama Butterfly
Gustav Mahler (1860-1911) 317 (1)
Box: Alma Mahler 318 (2)
Mahler's Music 318 (2)
Gustav Mahler, Fourth Movement, Urlicht 320 (2)
(Primeval Light) from Symphony No. 2 in C
minor (Resurrection)
The Nineteenth Century 322 (2)
The Twentieth Century I: The Classical Scene 324 (86)
An Overview 325 (3)
History and the Arts, 1900--1939 325 (1)
1939 to 2000 326 (2)
General Characteristics of 328 (3)
Twentieth-Century Music
The Replacement of Tonality 328 (1)
Melody 329 (1)
Rhythm 329 (1)
Length 330 (1)
Tone Color and Sound 330 (1)
The Beginnings of Change 331 (1)
Impressionism and Symbolism 331 (2)
Claude Debussy (1862-1918) 332 (1)
Claude Debussy, Prelude a lapres-midi d'un 333 (3)
faune
Primitivism 336 (2)
Igor Stravinsky (1882--1971) 336 (2)
Igor Stravinsky, Le Sacre du Printemps (The 338 (4)
Rite of Spring), Opening Section
Stravinsky and Neo-Classicism 341 (1)
Stravinsky's Music 341 (1)
Igor Stravinsky, First Movement from 342 (3)
Concerto in E-flat (Dumbarton Oaks) for
Chamber Orchestra
Expressionism 345 (3)
Arnold Schoenberg (1874-1951) 346 (2)
Box: Schoenberg and Atonality 348 (2)
Schoenberg's Music 349 (1)
Arnold Schoenberg, Madonna from Pierrot 350 (2)
Lunaire
Arnold Schoenberg, Theme and Sixth 352 (4)
Variation from Variations for Orchestra,
Op. 31
Schoenberg's Students 354 (1)
Alban Berg (1885-1935) 354 (1)
Berg's Music 354 (1)
Berg's Wozzeck 355 (1)
Wozzeck, Act III, Scene 3 355 (1)
Wozzeck, Act III, Scene 4 355 (1)
Alban Berg, Wozzeck, Act III, Scenes 3, 4, 356 (8)
and 5
Wozzeck, Act III, Scene 5 363 (1)
Anton Webern (1883--1945) 363 (1)
Webern's Music 363 (1)
Anton Webern, Third Movement from Five 364 (1)
Movements for String Quarter, Op. 5
Other Composers Active Before World War II: 365 (1)
Bartok, Shostakovich, Britten, Ives, Copland
Bela Bartok (1881-1945) 365 (1)
Bartok's Music 366 (1)
Bela Bartok, Fifth Movement (Allegro molto) 366 (4)
from String Quartet No. 4
Dmitri Shostakovich (1906-1975) 368 (1)
Benjamin Britten (1913--1976) 369 (1)
Benjamin Britten, Sanctus from War Requiem 370 (4)
The American Scene 372 (1)
Charles Ives (1874-1954) 373 (1)
Charles Ives, Second Movement from Three 374 (3)
Places in New England (``Putnam's Camp,
Redding, Conn.'')
Aaron Copland (1900-1990) 375 (2)
Aaron Copland, Fanfare for the Common Man 377 (1)
Building Bridges 378 (1)
George Gershwin (1898-1937) 378 (1)
George Gershwin, ``Bess, You is my Woman 378 (4)
Now'' from Porgy and Bess
Leonard Bernstein (1918-1990) 381 (1)
Leonard Bernstein, ``Make Our Garden Grow'' 382 (2)
from Candide
Special Box Feature: Composers, Patrons, 384 (1)
and Audiences: Audiences for Music in the
Twentieth Century
After the War: Modernism, The Second Stage 385 (1)
Total Serialism 385 (1)
Box: Who Cares if you Listen? 386 (1)
Pierre Boulez, Structures I 387 (2)
The Radical Sixties: New Sounds, Freedom, 388 (1)
and Chance
New Sounds 389 (1)
Krzysztof Penderecki, Threnody for the 389 (3)
Victims of Hiroshima
Freedom and Chance 392 (1)
Postmodernism 392 (2)
Box: Classical Music Today 394 (1)
Postmodern Music 394 (1)
Lukas Foss, Third Movement 395 (3)
(Recitative---after Monteverdi) from
Renaissance Concerto for Flute and Orchestra
Fusion 397 (1)
Box: The Kronos Quartet 398 (1)
Inclusion 399 (1)
Pauline Oliveros, Sound Patterns 400 (1)
Olly Wilson, Sometimes 401 (1)
Joan Tower, Wings 402 (3)
Ellen Taaffe Zwilich, Third Movement 405 (2)
(Rondo) from Symphony No. 1
Conclusion 407 (1)
The Twentieth Century 408 (2)
The Twentieth Century II: Jazz, An American 410 (24)
Original
The History of Jazz 412 (1)
Origins 412 (1)
Band Music 412 (1)
Ragtime 413 (1)
Scott Joplin, Maple Leaf Rag, for piano solo 413 (3)
The Blues 415 (1)
Dixieland 415 (1)
Bessie Smith, Florida-Bound Blues (Voice 416 (3)
and Piano)
Swing 418 (1)
Louis Armstrong, Hotter Than That 419 (2)
Duke Ellington, It Don't Mean a Thing (If 421 (3)
It Ain't Got That Swing)
Bebop 423 (1)
The Charlie Parker Quartet, Confirmation 424 (4)
Cool Jazz 426 (1)
Free Jazz 426 (1)
Fusion 427 (1)
Box: Jazz and Classical 428 (2)
The Current Scene 429 (1)
Wynton Marsalis, Harriet Tubman 430 (2)
Jazz 432 (2)
The Twentieth Century III: Popular Music 434 (41)
Styles of Popular Music 435 (1)
Beginnings: 1850-1950 435 (1)
Special Box Feature: Composers, Patrons, 436 (2)
and Audiences: Patronage and
Commercialization
Box: Copyright and Royalties for Popular 438 (1)
Music
Frank Sinatra, Blue Moon 439 (2)
Box: Some of the Most Successful Popular 441 (1)
Songs Before 1950
The Fortunate Fifties 441 (4)
Rock and Roll: The Beginnings 442 (1)
Elvis Presley 443 (2)
Elvis Presley, Blue Suede Shoes 445 (3)
Rebellion 446 (1)
Early Rock and Roll: Structure and Style 447 (1)
Early Rock and Roll: Black and White 448 (1)
The Turbulent Sixties 448 (1)
Box: John F. Kennedy's Inaugural Address 449 (1)
(Extracts)
Box: Martin Luther King's ``I Have a 449 (4)
Dream'' Speech (Extracts)
The Beatles 450 (3)
The Beatles, It Won't Be Long 453 (1)
The Beatles, Strawberry Fields Forever 454 (2)
Bob Dylan 455 (1)
Bob Dylan, Sad-eyed Lady of the Lowlands 456 (3)
Jimi Hendrix 458 (1)
Additional Notes to the Sixties 459 (1)
Motown 459 (1)
Box: The Stratocaster 459 (3)
Surfing Songs 460 (1)
Folk 460 (1)
Country 461 (1)
The British Blues Revival 461 (1)
The 1970s and 1980s: Variety, Legacy, and 462 (3)
Change
Michael Jackson, Billie Jean 465 (1)
Box: Censorship in Popular Music 465 (2)
Madonna, Material Girl 467 (2)
The Nineties: Rap, Rage, and Reaction 469 (3)
Popular Music 472 (3)
Glossary and Musical Example Locator 475 (5)
Credits 480 (4)
Index 484
Yudkin's (Boston U.) textbook for an undergraduate music appreciation course is designed to guide students through the art of listening itself, as well as teaching them the power of music as a form of human communication. The third edition is published in full color, and includes the addition of new
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